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Bernard Barillot : ウィキペディア英語版
Bernard Barillot
Bernard Barillot (born 4 October 1949 in Carcassonne, Aude), is a French painter and calligraphist.
== Biography ==
After high school in Carcassonne, he entered the Toulouse School of Fine arts in September 1967.
He studied under Claude Chaigneau〔Teacher in the School of Fine Arts of Toulouse〕 and Jacques Fauché.〔 He also attended Michel Goedgebuer〔 's lithography and silk screen printing art studio.
He finished his studies in 1974 and was awarded the “Grand prix of the town of Toulouse”.
After much research, BB was busy with bind writing, calligraphy and painting.
Sign, Letter and Graphic became obsessional for him.
“The deep mysterious drawing of graphic signs and their powerful evocation draw attract and captivate the attention by means of sensitivity. The plan carries the image slowly, with the fragility of time passing space” writes Bernard Barillot in his book of artist “The song of the sign”.
As soon as he had finished at the School of Fine Arts, Bernard Barillot held multiple exhibitions, first in France and then abroad.
In 1984 Barillot took part in the exhibition “ L’abstraction au carré” (“the abstraction squared”) about the Larzac with Pierre Soulages, André Marfaing, Charles Pierre Bru, Albert Ayme, Jacques Fauché. He was then invited in residence with Kodama Maria Borges in Marrakech, April 1999. The creation of a first work followed: “L’Ecriture hors limites” (“writing off limits”).
In 1999 he was the guest artist at the Book Fair of Bordeaux. On this occasion, the art critic Jean-Luc Chalumeau gave a conference in the Center of Contemporary Visual Arts (CAPC). He has just prefaced a catalog on his work, “Bernard Barillot, le devenir de l’oeuvre” (“Bernard Barillot, the future of the work”).
Two other works followed, the first prefaced by the art critic Gérard-Georges Lemaire. The next one an artistic book entitled “The song of the sign”, entirely printed in 18 colour silk screen printing, with a poem by Serge Pey especially written for the artist “L’écriture qui ne se lit pas”, “The writing which is not read”

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